#extremely obscure character that no one cares about

[juneiper-art]

I don't really understand the idea that Davrin's story is mostly about Assan. I don't think his story is about Assan at all, though it is obviously inextricably tied to Assan (but I'd argue, so is Emmrich's story with Manfred). All the conversations Davrin has about Assan aren't about Assan, they're about him.

Davrin is this character who left behind a peaceful life because he was hotheaded and young and didn't see value in it. He fell into the cultishness of the Wardens exactly because this grand idea of the sword against the darkness is appealing (especially to a young person). And once he is a warden, Davrin gets that exact Warden fatalism that depicts the order as being in a never ending, relentless, glorious war. Davrin bought in. He sees himself with that grim determination as having only one future- war without end. And when he meets Assan, he makes the exact same assumption about the griffon. To him, Assan is a symbol of that exact determined path of war. As Rook you can say that Assan 'is the perfect warden' and he agrees. Because to him, the idea of being a warden is only to be a tool of war.

He simply does not see any other possibility for himself and his future. He will die a warden and he wants to do so killing an archdemon. I guess I relate to how Davrin is 'growing up' in this story. He had Assan forced upon him and through caring about something and nurturing it, he's seeing the world differently. Sometimes you have to be forced into a position of care to understand the value of it, compared to that rhetoric noble ideal of warriors. This life of nurturing that he so brashly dismissed is something that he begins to realize has more value than he thought. Maybe the most value.

The fatalism isn't true. Endless war isn't the only possible future and it isn't the only path to glory. If you choose to give the griffons to Arlathan forest, this is extremely apparent, because what Davrin does is honor the value of building a future.

Sorry to bring film into this, but it's a joy of mine, but it reminds me of in Rome, Open City, in Pina's character. She's not a resistance fighter, she's not out risking her life against the darkness, but what she is doing is seeing a future. She's imagining past the war, past the losses and the suffering and the destruction. She presents a path of resistance that's through hope. When she dies, it is as though the future dies with her, because the resistance fighters aren't thinking about the future, they're thinking nobly about dying for their cause, of becoming heroic martyrs. And I think this is exactly the change Davrin experiences. He starts to hope for a future instead of being resigned to a glorious death.

So yeah, I guess Assan is like, the motivating factor in that storytelling, but I just think simplifying it to 'it's about Assan' is like, not doing credit to this theme that I find to be extremely heart wrenching, especially when so much of the focus and glory goes to 'warriors' and not the people at home...building a life. Maybe something something about Achilles and choosing a life of obscurity. Do you see what I'm saying.

[earthmoon-transit]

for some reason ive become obsessed with a background character from a mobile cooking mama game

this stupid fucker that can visit your restaurant

oh yay

[lucalicatteart]

Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0

(additional pictures/info under the readmore)

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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...

Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.

The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.

I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.

The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol

Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.

Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.

Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .

Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).

The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).

Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.

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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.

Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[hvlcy0n]

SAY IT (PT. 1) . . . hayato suo x fem!reader

+ you’ve never reciprocated any of suo’s confessions of love, but a chance to eavesdrop on a conversation among you and your friends grants him all the insight he needs.

+ 4.2k words

+ NSFW (MINORS DNI) // UNEDITED // brief mentions of sex // mentions of edging at the end // brief mentions of overstimulation // mentions of past heartbreak/insecurities // established relationship // manipulation // i got all the big stuff but i’m definitely forgetting some minor stuff i’m just tired of looking at this

+ this is my first time writing suo so plEASE cut me some slack, i got tired of seeing it every time i opened google docs. i left any descriptions/names of your friends extremely vague on purpose so you can fill in whoever. the NEXT part of this will be centered around smut, but this one was more just kinda the build-up to his decision to push you out of your comfort zone.

suo has always been able to see right through you.

granted, that was his area of expertise—the ability to pierce through people’s defenses as if they were nothing more than a gossamer film and unearth whatever information he resolved to discover. he was regarded as dangerous by both allies and enemies, capable of sinking his fingertips into peoples’ psyches and peeling back the layers until their self–control began to fracture and ruby welled beneath his touch and trickled down to obscure his opponents’ vision in an all–consuming bloodlust that left them vulnerable and uncoordinated. 

he had a critical eye and a terrifying intuition; and while his friends wouldn’t trade him for the world, they were also aware of the uncharted territory of suo’s complex character—not to mention the existence of a small distance between them that had been discreetly established by suo himself. while he genuinely enjoyed the presence of his friends, he valued his privacy and space, and he often kept information about him restricted. he was more enigmatic than anything else. 

so, when suo offhandedly mentioned having a girlfriend, they were shocked. although emotionally intelligent, none of his friends pegged him as a romantic, his secrecy and manipulative tactics seemingly too insurmountable an obstacle in a relationship. generally, he was kind and respectful, but his demeanor could flip on a dime in the face of discourteous behavior. he could be mean—unfair.  it wasn’t uncommon for him to mask his slick tongue and cruelty behind refined language and his gentlemanly composure as he subjected his targets to public humiliation. sometimes, his emotions could get the better of him, and he could be frightening when they do. a gentleman? maybe. but there’s more nuance to him than that.

unbeknownst to them, suo was remarkably softer with you. warmth and genuine kindness emanated from every content smile and careful dance of his hands over your skin, calloused fingertips bearing an ardent reverence that would cause even aphrodite to flush. the sharp edge to his tongue smoothed, his teasing light-hearted and devoid of the faint, underlying drip of venom that could sometimes be heard punctuating his words if someone listened closely enough. when he observed you, his eyes glowed with innocuous curiosity and rather than distant analysis. 

the more time he spent with you, the more he could read you like an open book, deft fingertips tracing over even your most tattered, weathered pages and the most smudged ink to wholly bare the contents of your soul to him. he sought to know you in your entirety—your likes and dislikes, how you like to be touched, how you react to certain things. after all, the more he knows about you, the better he can protect you. 

the better he can love you.

love.

that’s a tricky subject for you to navigate, he’s learned.

you were never one to shy away from his affection. in fact, you clearly delighted in the attention he lavished you with. there was never a question as to whether you would hurry to lace your fingers with his if he reached out to you, if you would lean into his caresses, or if you would let him pepper kisses across your cheeks. you were so receptive to his ministrations, so much so that it was almost natural for your body to drift toward his in search of some sort of closeness. whatever he doled out, you returned, and that included the light banter and flirtatious remarks you two often exchanged. you fascinated him, kept him on his toes. 

the only area of your relationship that you fell short in was verbal confessions of love. suo knew that you were fiercely protective of your heart, already having subjected it to enough bruises and scrapes throughout your life to make you want to guard it to the best of your abilities. he was fortunate as it was that you had trusted him enough to relinquish it to him.

he knew that you were still learning to navigate the choppy waters of vulnerability—true vulnerability. it was easy enough to bask in suo’s attention and rely on his ability to comprehend the unspoken, but to say the words aloud would be to speak it into being, to charge the universe with the magnetic force that will bind your fate to his, to make it real. you never said anything that you didn’t mean, and suo understood that after all your hard work fortifying your emotions, to openly admit it would require you to let down your guard entirely and let him in.

there’s no doubt in his mind that you love him. he can feel it in the way you pour every ounce of heartfelt emotion into the kisses you press to his lips, your dedication toward memorizing and analyzing all of his microexpressions so that you can understand him on a deeper level, and the adoration that pools in your eyes like molten honey as you observe him when you think he isn’t paying attention. only a fool would mistake the depth of your feelings. 

he can read you like a book, that much is true, but it’s much more enjoyable to have it read to him line–by–line than to flip through the pages on his own. 

it’s quite endearing, actually, the way your skin would warm and your brain would stall whenever his lips would brush a saccharine “i love you” over the shell of your ear, or the way goosebumps would scatter across your skin and you would clench around him whenever he’d pair the words with a well–timed thrust inside you. he thrives off flustering you and witnessing your demeanor crumble into a delightful shyness that never fails to cause a small smile to tug at the corners of his lips.

even so, he sometimes finds himself yearning for that reassurance that you’re as irrevocably enamored with him as he is with you—that you crave him the way he craves you. he understands that it’s greedy of him and that he should tamp down such self–centered emotions. he knows what your feelings toward him are; it would be inconsiderate of him to pry you out of your shell until you’re ready in order to satisfy his own desires. the concept of love operates differently for different people, and he can accept that. 

it always slips his mind how swiftly things can change.

it was a complete coincidence when he’d stumbled upon you in the outdoor seating area of a restaurant, accompanied by a few  friends of yours. he recalled you telling him that you were going out for lunch with them, but he had no idea that his outing in search of a new pair of shoes to replace his worn ones would cause your paths to cross. he hadn’t meant to eavesdrop on your conversation, only to simply greet you and then continue about his business, but he paused when he heard his name leave one of your friends’ lips.

“so, are you and suo still together?”

oh? before he can even acknowledge the gravity of contravening your privacy, his body is sparked into motion all on its own. he’s quick to retreat, melting into the slanted shadow proffered by the slim alleyway he had been poised to exit, just beyond the scope of your view.

he’s well aware that this is an infraction of the trust you extended to him, but he forces himself to disregard the prick of guilt aside in favor of potentially learning valuable information about the inner workings of your brain. it may not be ideal, but it’s for the best, he reasons. what if you reveal to your friends ways that he could better serve as your boyfriend? what if you feel more comfortable explaining to your friends your reservations about returning his heartfelt confessions? besides, the conversation is technically also centered around him, so surely it would be rude to bar him from listening in.

“of course,” the thought of you denying your relationship was never a concern for suo. you both trust each other implicitly, but to hear you stake such an immediate, explicit claim over him rouses a ticklish spark of delight in his stomach all the same. you scoff, as if the idea was so improbable it was ridiculous. “i’ll tie that man up in my basement before i let him just leave.” suo chuckles gently to himself. perhaps you truly are as invested as he is, after all.

“the dick must be fucking life–altering, if that’s the case.” she laughs. “come on, tell us. is it?”

“wh—” suo’s lips settle into a small, amused smile as he watches you flounder under her questioning, eyes feverishly flitting to your other friends for help, only for each one of them to leave you to drown with their own wide–eyed, inquisitive stares. “oh, my god, i’m not telling you that!” nervous laughter wracks your chest. suo’s shrewd gaze can practically perceive the memories flickering through your brain as you try to maintain your composure, each one spliced together in a salacious collage that has blood thrumming beneath your skin. suo has always been one to fine–tune his craft, and his perfectionism extended to the bedroom as he used his meticulous attention to detail and acute awareness of your reactions to guide you to your peak over . . . and over . . . and over again until he was satisfied.

and of course, you knew that.

“but seriously,” another girl props her elbow on the table and rests her chin on her palm, observing you closely. “i’ve never seen you like this before. before him, you were all ‘ew, gross, men’—not to say that isn’t still valid, but y’know. maybe suo really is a good match for you.”

“do you love him?” the first girl pipes up ecstatically.

now we’re getting somewhere.

it requires significant concentration for suo not to laugh outright when a jolt of surprise grips your body, your muscles visibly tensing and eyes rounding. your lips part to speak, but the words remain wedged in your throat. “i—uh . . .”

“wait, for real?” the third girl, who had remained quiet this entire time, finally speaks up. “do you not actually love him?”

this time, when you don’t at least make an effort to deny their claims, suo’s smile begins to wilt. from suo’s angle, your expression is sapped of the typical bashfulness he had been anticipating. rather, your features are murky with conflict, brows furrowed pensively and fingertips drumming against the chilled glass of the untouched beverage sitting between your palms. for the first time in a while, he can’t read you, and while he’s always enjoyed a bit of reticence and mystery, he doesn’t want it like this—not when such uncertainty is founded on the future of his relationship. did he misunderstand you somehow? was he wrong? no, there’s no way that you’d have done everything you did if you didn’t harbor some type of love for him. it’s simply not plausible. right? 

the silence is unnerving, causing a chasm of apprehension to split his stomach and swallow up the candlelit flicker of warmth that once resided in his chest. he’s never been an anxious individual, typically collected and level–headed under pressure. in fact, he’s always prided himself on his ability to remain composed; but now, as he stands here, body stiff and heart thumping as he waits for you to continue, he figures that love really is one hell of a drug. only the wideness of his eyes betrays his usual poise, but even that would be enough for any of his friends to notice that something is amiss. well, mature as he may be and as far above the fragility of human nature that others believe he is, he’s still only human. and it’s times like this that remind him that he’s still weak.

god, how far has he fallen? how much power did he give you?

“all this time, i thought you guys were in love.” the second girl gasps, hand flitting up to cover her mouth. “so, what’s going on? what’s wrong with him?”

“nothing!” you’re quick to find your voice to defend him, but for some reason, it doesn’t ease the tightness in his chest or the worried spin of his mind. “he’s wonderful, it’s just—”

“is he mean to you?” the second girl presses. “because if he is, i can—”

“he’s obviously not mean to her if she’s still with him.” the first girl retorts, silencing her with a dismissive wave of her hand. before the second girl can argue, she continues. “it could just be that it’s too early for her to know if she does.”

“it’s been months.” the third girl points out. “something has to be up if she doesn’t love him—”

“i do!”

suo’s fingers twitch.

your friends fall silent as the words burst from your chest, unwavering and aflame with conviction. your voice quiets as you fold your arms over your chest and lean back in your chair, eyes still fixated on the cup in front of you. “i do love him, it’s just . . . i’ve never felt like this for anyone, and i don’t know what to do. it feels so real and intense, and it’s scary.”

your words reverberate through suo’s mind as he expels a breath he didn’t notice was wedged in his chest. “i do love him.” his entire body seems to decompress, the tension in his muscles alleviating. “i’ve never felt like this for anyone.” suddenly, your hesitance makes sense. not only were you protective of your heart to begin with, but the magnitude of the importance of this was much larger and therefore more frightening than he realized. suo’s heart swells in his chest at your confession, pride licking up his sternum to grace the apples of his cheeks with a feather–light kiss of ruby. he’s honored to be the first person you’re entrusting with such a privilege—well, even if he’s not supposed to know about it yet.

“what do you mean, you don’t know what to do?” the first girl stares at you as if you’ve sprouted a second head. she flips her hands over with her palms facing toward the sky. “tell him?”

“i can’t just do that!” this time, it’s your turn to look at her like she just told you she ran over a family of five with her chevy tahoe, and suo chuckles.

“and why not?” she flops back in her seat incredulously.

“i just told you, it’s scary!” you insist matter–of–factly. “you remember the last guy i was with? it lasted one month, and in that amount of time, i aged thirty years and had stress levels that would’ve gotten me sent to the emergency room.”

suo hums softly in surprise. you didn’t tell him about that. of course, he had suspected that someone had dragged you through the trenches prior to accepting him as your boyfriend, but he felt as though that was a topic that would be better left to your discretion. you would tell him if you wanted him to know, so he never questioned you.

“yeah, but suo is way better than him.” the third girl reminds you. “at least, i think so. i only met the guy like twice.”

“helpful.” the second girl remarks dryly.

“no, he seriously is so much better.” you insist. “he’s everything i could’ve asked for, but it’s just . . . exposing myself like that would mean he has everything he needs to hurt me, and if i end up flat on my ass again, i don’t know what i’m gonna do. and i know he wouldn’t do anything to hurt me, but . . . ugh, this is impossible.” you let your head loll back. 

there’s a brief stretch of silence before the second girl speaks up again, and this time, her voice has flattened into a deadpan. “girl.” she blinks at you. “that’s the issue?”

clearly not anticipating that reaction, you stare blankly at her for a moment, searching for the right words. “i—what?” you bristle defensively. “what’s that supposed to mean? is that suddenly not a good reason to bare my heart and soul to this man?”

“no, it’s actually really not.” the third girl joins the second’s campaign. she scoots forward in her seat and folds her hands delicately on the table. “let’s reflect. this is suo we’re talking about. this is the same man who stayed the night and took care of you religiously when you were sick with food poisoning from your first date, the same man who gave you earrings similar to his for your birthday, and the same man who showed up at your house in the pouring rain with nothing but the clothes on his back to accompany you when that storm knocked your power out—as a ‘friend.’” 

“why did you use air quotes around the word ‘friend?’” the first girl narrows her eyes at the third.

“because he was playing the long game, okay? he was plotting. stay with me now.” she answers quickly, placing her hand on the first girl’s knee. 

suo chuckles, raising his brows. he has to admit, your friends are impressive.

“so,” the third girl continues. “those are just a couple examples, but it’s crystal clear that suo is devoted. like he’s in this to stay.”

“or he’s some sort of supervillain.” the second girl interjects.

“don’t say that!” the third girl snaps, aghast. “no, yeah, you’re right. the ‘untouchable’ furin graduate who took a bat to the ribs just to keep her safe is definitely here to create lifelong trauma for her. anyway, as i was saying,” she turns back to you, “if that’s not enough, think about it this way. suo is really private, right?”

“right.” you nod.

“well, he was probably in a similar boat as you, then. i mean, you said that you were worried that you’d be giving him what he needs to hurt you, but the inverse is also true, and he already told you he loves you. he trusted you not to hurt him with that information, so you should be able to trust him not to do that to you, either.”

“that’s . . . wait,” the wheels rotate in your brain as you mull over her advice, and your hand drifts up to conceal your mouth in a moment of clarity. “oh, shit. no, wait, yeah, you may have a point. i didn’t think about it like that.”

“that’s what you have us for.” the third girl grins.

“so, does that mean you’re gonna tell him?” the second girl quirks a brow at you. “maybe? probably? hopefully?”

“uh . . . probably not . . .” you wince, only to jump when you’re promptly subjected to an onslaught of groans and complaints from your friends.

“dude, what the fuck?” 

“i know, i’m sorry!” you yelp.

“did you get nothing out of the conversation?”

“no, i did, i swear!” your desperate attempts to defend yourself against your friends are fractured by bouts of laughter. “trust me, i did.”

“so, what’s the problem now?” the second girl drags her palm exhaustedly down her cheek.

“the issue is that it’s still embarrassing!” you whine. “you literally said it yourself earlier. i’ve never been like this—ever! just thinking about saying it makes me wanna crawl in a hole. it makes me feel, like, exposed or some shit, i don’t know—quit looking at me like that! i don’t know how else to explain it!”

“don’t piss me off.”

 “what?” your lips pop open in indignation. “but—”

suo’s slender fingers settle delicately over his lips as he chuckles to himself and steps completely behind the alley corner. his eyelids flutter low, gaze soft with contentment, as he listens to you scramble to defend yourself against your frustrated friends. it’s alright, they’ve done plenty. he can take it from here.

the conversation bounced around between the four of you has certainly altered the circumstances, providing you with the clarity needed to shed your reservations about setting yourself up for a potential heartbreak and unfurling the remaining layers of your defense to reveal the lingering issue still barring you from being honest about your feelings. at this point, it seems to no longer be about you being ill–equipped and underprepared to handle such a divulgence, which he could certainly accept. now, it appears to be about disentangling yourself from the binds of shame and embarrassment. about you requiring a little push in the right direction—well, less of a small nudge and more of a guiding hand that you would trust to unravel you down to the strings of your heart.

fortunately for you, there is no one more aware of what loose threads of yours to tug on in order to achieve his goal than suo himself.

maybe it’s unfair of him to change his mind and concoct an excuse to denounce the leniency and understanding that had been fueling his patience thus far. maybe it’s unfair of him to take the initiative to strip you of the protective cocoon he had previously been more than prepared to allow you to reside in. maybe it’s unfair of him to press you, to utilize his silver tongue and honeyed words to draw out your rawest and most vulnerable state.

but when the opportunity has practically tripped and fallen into his lap, how could he not? it isn’t as if it would be a detriment to you. he has never led you astray, and he certainly isn’t going to start now. 

a venereal plan is already brewing in the back of his mind as he mulls over how to best extract such a confession from you. no matter what type of attitude you may acquire or how sturdy you believe your resistance to be, pleasure has never failed to whittle and melt you down into a pliant puddle that’s all soft edges and hazy, trusting eyes. an even trade—a release only he can provide for the secret you’re trying so hard to keep from him? this evening, perhaps, if he plays his cards right. you don’t have plans tomorrow, which means you certainly can’t be too angry if he keeps you awake into the darkest hours of the night. 

he can practically feel the ghost of the warmth of your skin under his fingertips as he keeps you pinned so that you can’t escape his ministrations, taste the salt brimming in your tears of frustration as you war between your pride and surrendering to the pleasure he plans to dangle in front of you, and hear your whines and moans as he keeps you just barely balanced on the precipice of release. he can already predict how you’ll label him as mean—manipulative, even. and maybe he is.

he’s only human, after all. 

and what would humans be if not flawed? if not a bit cruel? if not a bit . . . selfish?

[literaryvein-reblogs]

Writing Ideas: 170 Character Quirks

Quirk—a peculiar trait; idiosyncrasy; memorable little things about a character’s personality that make them charming, endearing, weird, or unique; can be cute habits; is anything worth describing about a character.

PERSONALITY QUIRKS

Very introverted, quiet and reserved, keeps to themselves

Highly extroverted, loves socializing and meeting new people

Mega control freak who has to have everything their way

Neat freak (often coincides with control freak)

Total slob who never knows where anything is

Super stubborn and will never admit when they’re wrong

Brutally honest and can’t lie to save their life

Extremely judgmental of other people

Short-tempered, especially when irritated

Always patient, even when frustrated

Hilarious or odd sense of humor

Very hard to make them laugh

Loves to eat and is obsessed with food

Loves to drink and is constantly partying

Constantly complains about everything

Extremely loyal and will do anything for their friends/family

Adventurous and willing to try anything

Cautious and careful no matter what

Energetic, hardly ever needs to rest

Sleeps all the time and still gets tired during the day

Horrible sense of direction and constantly gets lost

Overachiever who loves school/structure

Really modest and won’t ever brag about themselves

Extremely emotional and will cry at the drop of a hat

Stoic and detached, rarely shows emotion

Wildcard whose behavior is unpredictable, even to their friends

Notoriously two-faced and will betray anyone

Charismatic and can convince anyone to do their bidding

Very proper and always polite to others

Dates tons of people and has a new boyfriend or girlfriend every week

Obsessive personality — whether it’s a TV show, brand, musical artist, or even another person, they’ll get attached and think/talk about it constantly

PHYSICAL QUIRKS

Unique eye or hair color

Has two different eye colors

Extremely short or tall

Some discerning physical mark — birthmark, freckles, mole, or scar

Wears unusual glasses

Has braces and headgear

Large feet — may mean they’re clumsy

Bites their nails/lips or chews on their hair

Constantly fidgeting and can’t sit still

Acne, eczema, or other skin problems

Many tattoos or piercings

Often sick or has allergies (constantly sniffling/blowing their nose)

Talks very loudly or quietly

Says everything like it’s a question

Terrible breath — may be a coffee drinker

Gets sweaty easily (especially when nervous)

Unusually hairy arms or legs

Very long painted nails

Always wears a faceful of makeup

Has a stutter or other speech impediment

Incessantly clicks a pen

Often tucks their hair behind their ears

Constantly chews gum

Has a toothpick dangling from their mouth

Always picking their teeth

Smokes and has a raspy voice

Breathes heavily or snores

Is extremely muscular

Walks very slowly or quickly

Left-handed or ambidextrous

Constantly scratching themselves

Has some noticeable physical tic, like a twitch

Always wears a distinct item of clothing or accessory — a favorite pair of socks, a lucky jersey, or even a particular shade of lipstick

STRENGTHS/TALENTS

Fantastic cook or baker

Skilled musician (piano, guitar, violin, etc.)

Artistic talent (drawing, painting, sculpting, etc.)

Model athlete (football, hockey, swimming, etc.)

Great at voices/ventriloquy

Can do sleight-of-hand — may be a pickpocket

Speaks multiple languages, even obscure ones

Knows everything about history

Mathematical or scientific genius

Brilliant coder and can hack into any database

Skilled mechanical inventor

Can build or put together anything

Super-quick logical reasoning

Exceptional memory/genius IQ (several of the above might fall under this)

Special connection with animals

Super empathetic and understanding of other people

Extremely fast runner

Contortionist (can twist their body into any shape)

Psychic talent (can predict the future)

Amazing mechanic

Super strength, flying, invisibility or other superpowers

Unusually high tolerance for pain

Survival skills like hunting and fishing

Quick reflexes, acts fast in a crisis

Brave and fearless, not scared of anything

Able to talk their way out of any trouble/invent stories on the fly

WEAKNESSES/NEGATIVE TRAITS

Awful driver

Always running late

Illegible handwriting

Terrible at public speaking

Socially awkward — hard for them to make friends

Has tons of credit card debt from online shopping

Self-destructive and always wants what’s worst for them

Gets blackout drunk every time they go out

Extremely conceited or arrogant

Compulsive liar

Manipulative of friends

Gets jealous over nothing

Often mean for no reason

Unbelievably self-centered

Extremely passive-aggressive

Is a hero who doesn’t like using their superpowers

Arachnophobia (irrational fear of spiders)

Coulrophobia (irrational fear of clowns)

Agoraphobia (irrational fear of leaving the house)

Pantophobia (fear of everything)

COMMONLY USED QUIRKS

Pale skin

Crooked smile

“Intense” stare

Relentless clumsiness

Artificial hair colors that are supposedly natural

Characters thinking they’re unattractive when everyone else thinks they’re beautiful

OTHER QUIRKS

Dresses all in one color

Bedroom is decorated exactly like a Pinterest picture

Won’t drink still water, only sparkling

Refuses to use headphones and blasts their music in public

Always dresses too nicely for the occasion

Walks around barefoot, even in stores and other public places

Hates being inside, sleeps and goes to the bathroom outdoors

Can’t help but look in every mirror they pass

Wears a small plastic backpack everywhere

Preps their meals three weeks in advance

Drinks shots of espresso all day long

Sings opera in the shower

Always sneezes around pets

Has a collection of something mundane

Makes their own (terrible) abstract art and hangs it on their walls

Gets super excited about Christmas and then really depressed in January

Refuses to wear glasses even though they need them

Carries around a secret teddy bear

Has been wearing the same friendship bracelet for three years

Fastidiously lint-rolls all their clothing

Will leave a shop or restaurant if someone walks in with a baby

Extremely superstitious (knocks on wood, avoids the number 13, etc.)

Drops everything other people ask them to hold

Likes to go out dancing by themselves

Prefers to have the lights off or dimmed at all times

Only reads books written before 1900

Only watches movies that get really bad reviews

Always wears multiple sweaters on top of each other

Won’t eat anything that doesn’t have bread (at least on the side)

Thinks they’re a time-traveler from the medieval era

Gives friends and family excellent homemade presents

Leaves the office last every day so they can push all the chairs in

Hates jagged numbers (always fills their gas tank to the dollar, sends emails on the hour, etc.)

Has an imaginary friend they still talk to, even in adulthood

Owns a lizard that they try and use as a guard dog

Listens exclusively to Britney Spears

Leaves little notes in library books for future readers

Uses tissues to hold onto poles on public transportation

Wears their hair in Princess Leia buns

Never goes a day without talking to their mom

Hums “In the Hall of the Mountain King” when they get stressed

Clucks their tongue while walking, so they sound like a horse

Quotes Pulp Fiction all the time

Loves hanging out in completely empty places

Convinced they’re going to die in a freak accident

Grows all their own food in their vegetable garden

Never pays for train or bus tickets

Can recite Shakespearean sonnets

Recycles and eats vegetarian, but only out of guilt

Has a “vision board” posted on their ceiling

Loves the beach but hates swimming

Flicks people in the forehead when they get annoyed

Laughs at everything, even bad jokes

Curates a great Instagram feed of street art

Sources: 1 2

[bitchliteraria1906]

I get the appeal of having that one character who's the token "normie" and doesn't have as much weird quirks and interests compared to their friends, but I disagree with any ddlc "Everyone lives and is happy and hanging out together" au that makes Monika that friend. Let her be silly!

She has a bunch of weird skills and when asked about any of them she just goes "Oh yeah, my parents signed me up for classes when I was like, eleven." She likes cult classic movies and books and could rant about them for hours. She's very involved with social and politic issues and likes philosophy but never talks about any of this because she's scared to be seen as pretentious. She has a bunch of weirdly specific playlists and one of them is just songs from musicals, some of them being extremely obscure.

She likes games where you can build and take care of things, both for the relaxition and for the fun of playing god. She dissociates and overthinks a lot and one of the few things that calm her down is coffee, while milk and tea strangely make her more hyper and speed up her mind. She watches kid shows with silly "Be yourself, you're perfect just the way you are" messages when she's upset. She has a pinterest addiction.

She texts like a mom (cute emojis, not always understanding abreviations) and jokes like a dad (all her favorite jokes are puns from one of those joke books). She snorts when she laughs too hard. She doesn't know how to ride a bike. She owns a record player and prefers to listen to her music that way. She's a plant mom. She collects seashells, pressed flowers and wooden toys. She plays with legos. She needs glasses but refuses to wear them.

[sombredancer]

Asian dramas and relationship dynamics (Pt.1)

There are my favorite relationship dynamics as a list. Opposites attract + power couple

Drama: I Am Nobody /  异人之下 Characters: Zhuge Qing & Wang Ye Screentime: Minor I like it when characters are different in a way they could complement one another, but at the same time they are similar in terms of what is important for people to stay stuck together. Zhuge Qing is public, easy-going and wants to be friends with Wang Ye. Wang Ye is mysterious, reflexive and doesn't want to be bothered by other people. But no one can beat extrovert if he decided to be friends with you =) Plus, they are united by their superpowers: they are both powerful sorcerers and their sorcery is very similar in its nature. So they can compete and learn from each other and, if necessary, kick enemy's ass together. ̶A̶n̶d̶ ̶t̶h̶e̶i̶r̶ ̶d̶y̶n̶a̶m̶i̶c̶s̶ ̶h̶a̶s̶ ̶g̶o̶t̶ ̶t̶h̶i̶c̶k̶ ̶B̶L̶ ̶v̶i̶b̶e̶s.̶ By the end of season 1 they are OK and together.

Drama: Mysterious Lotus Casebook / 莲花楼 Characters: Di Feisheng & Li Lianhua Screentime: Secondary Di Feisheng is a leader of a demonic sect, a former slave and a very straightforward man. Li Lianhua is a former leader of a righteous sect and an extremely sly man with not-so-bad background. But both of them are the best martial artists in Jianghu and went through a lot together. One wants everyone to leave him alone, another wants to be with him together forever. Both of them don't give a damn about everything that happens in the world but they care for each other. B̶L̶-̶v̶i̶b̶e̶s̶ ̶a̶r̶e̶ ̶a̶t̶t̶a̶c̶h̶e̶d̶.̶ The ending of the drama is obscure but I'd like to think they both are alive and happy together.

Drama: The Blood of Youth / 少年歌行 Characters: Xiao Se & Ye Anshi Screentime: Secondary A leader of a demonic sect who has an ultimate martial knowledge and a former best righteous martial artist, who is suffering from decease and can't fight anymore. What can unite them? The answer is: the similar mindset. They both had a great power and lost it, they both are shouldering great responsibilities which don't make them happy. Despite the fact that they should be on the opposite sides in Jianghu world, they are still good friends. M̶a̶y̶b̶e̶ ̶B̶L̶-̶f̶r̶i̶e̶n̶d̶s̶,̶ ̶a̶l̶t̶h̶o̶u̶g̶h̶ ̶X̶i̶a̶o̶ ̶S̶e̶ ̶h̶a̶s̶ ̶a̶ ̶g̶i̶r̶l̶f̶r̶i̶e̶n̶d̶.̶ There is a small extra ep at the end of drama, when they meet each other again in a very romantic way. Just search for it.

Drama: The Legends / 招摇 Characters: Lu Shiqi & Qin Qianxian Screentime: Minor She is from a demonic sect. He is from a righteous one. She is immune to the impact of spiritual power. He is the one of the most powerful people in terms of spiritual power. She is dumb, straightforward and pure-hearted. He is blissed yet sensible and burdened with difficult moral choices. They could be an ideal Yin-Yang couple. But they have BE, because it's "The Legends", everyone should die in here Т_Т.

Pride and Prejudice + power couple

Drama: The Yin-Yang Master: Dream of Eternity / 晴雅集 Characters: Bo Ya & Qing Ming Screentime: Main This dynanics is similar with the previous one, but here we are focused on how they ended up together. Bo Ya has prejudice against demons-yao and believes all of them should be executed. He meets half-demon-sorcerer Qing Ming who helps him to overcome his prejudice. Finally, they become friends (or̶ ̶m̶a̶y̶b̶e̶ ̶n̶o̶t̶ ̶o̶n̶l̶y̶ ̶f̶r̶i̶e̶n̶d̶s̶) and together they win over the evil forces. At the end they are separated but there is a hope they meet again.

Drama: Wuliang / 无量 Characters: Po Xiao & Feng Ren Screentime: Main People of different social status both seek to get a magical sutra. During a road trip they exchange opinions on the sutra and how to use it and change each other's mind. In the end it turns out that they together saved the world and can be finally together. As friends, of course.

Drama: Oh No! Here Comes Trouble / 不良執念清除師 Characters: Pu Yiyong & Cao Guangyan Screentime: Main Pu Yiyong looks like lowlife, studies very bad and hates Cao Guangyan, who is self-confident, smart and thinks low of Pu Yiyong. But a mysterious case with ghosts forces them to interact and they find out, that together they are a perfect team. Honestly speaking, this little series couldn't develop this topic as good as I hoped, but it's a really interesting story, so you can watch it for the ghost detective plot and get this type of relationship in addition. It's a Taiwanese drama, so BL-jokes and dalliance with a viewer were huge, but it didn`t help much. Still a nice dynamics and a good drama. Us vs the World

Drama: The Untamed / 陈情令 Characters: Wei Wuxian & Lan Wangji Screentime: Main I don`t like the novel, but I like drama exactly because here I can see this dynamics. In the past life of Wei Wuxiang Lan Wangji was not strong enough to go against the whole world to protect his friend (well, in the novel they are lovers, but it kills the main idea of this dynamics by turning it into "I do it all just to get into your bed", which is meh), and his friend died. Suddenly, 16 years later, he gets a chance to choose once more: to be a part of society and watch once more his friend dying or to be with him against everyone this time. The moment he chooses to be with Wei Wuxian against the whole world I felt cathartic pleasure. The drama ends up on a little bit obscure but positive note.

Drama: Word of Honor / 山河令 Characters: Zhou Zishu & Wen Kexing Screentime: Main A former king's assassin who is at the brink of death and just wants to live the time left in silence and a birdy master of the most skillful criminals find each other, find out that they are brothers-in-teachings and decide to fight against the world together just to live in silence and enjoy each other's company. When one thinks it's his last second of life, the other comes to help him even if they both can't beat the greater number of enemies and will die for sure. Catharsis! The drama has a small extra ep where they are together and all right.

Drama: The Legends / 招摇 Characters: Li Chenlan & Lu Zhaoyao Screentime: Main Them, again! The first half of the drama they have enemies-to-lovers dynamics, but then, when they find out the truth about Zhao Yao's death and about feelings for each other, they turn into Bonny and Clyde and go annihilate the righteous guys who are in fact not-so-righteous. And it makes me feel cathartic, too. A very catharsis-causing dynamics, indeed! It's little obscure, but they will be fine at the end of the drama.

Drama: Dong Lan Xue / 东栏雪 Characters: Shen Yan & Chu Ningyuan Screentime: Main Two bad guys work together to get power in the palace. And get involved in romantic relationship during their power gaining. Nice story with an open ending.

Drama: Derailment /脱轨 Characters: Qi Lian & Jiang Xiaoyuan Screentime: Main It's a little story inside a big one about transmigrators that you can read in another of my posts. It lasts something like 1,5 eps of the drama but is a nice story itself. A lonely bellicose boy from a rich family runs away from home where no one cares for him and lives on the street. A lonely girl from an extremely poor family and being bullied by classmates tries to survive in this world. They meet each other and understand that it's easier to fight their fate together. Nice story, it's a pity that this one is too short and not a main plot of the drama.

The next post will be about Asian dramas and familial dynamics. Also you can see: Asian dramas and relationship dynamics (Pt. 2) Asian dramas and my favorite types of characters Asian dramas and Love tropes Enemies to Rivals/Lovers recipe

[romchat]

The On1y One visual analysis (Ep. 5): Seeking an opening

Something I really enjoy about The On1y One's visual storytelling is how it uses framing to represent the tentative way Jiang Tian and Sheng Wang embed themselves into each other's lives. Through their interactions, we see Tian learning to let people in while Wang gives himself permission to trust those around him, and that fraught journey towards connection is beautifully captured by the show's cinematography choices.

From the first episode, we see the show using architectural framing to represent Tian’s aloofness, whether it’s the walls of his old neighborhood that tuck him away from his classmates or the closet that hides his always packed suitcase. So I find it really interesting how the architectural framing of his homeroom’s classroom window serves a completely different purpose: to showcase Tian’s ability to fight against his instincts for pushing people away and gradually open up to Wang.

As noted by @heretherebedork, that open window changes the (physical and emotional) wall between them. Ever since he acknowledged their relationship in Episode 3 through this window, it's here that Tian continues to signal the changing boundaries of their relationship.

Each episode he slowly transforms from a silent observer removed from the world around him to someone extending the care Wang so desperately craves, and the window, as a frame within a frame, directs our attention to the significance of these moments. Tian not only offers Wang physical relief but also emotional relief--he sees Wang despite the latter having experienced a lifetime of being ignored, and this all happens through the window.

Moreover, the camera language The On1y One uses to frame Wang's response reveals how heady that recognition feels.

One of my favorite examples of this is when Wang confronts Tian about helping capture the thugs who had attacked him. Tian denies having been involved but Wang refuses to believe him, playfully pushing him against the wall as he lists all the evidence to the contrary.

What makes this sequence of shots so compelling is how the framing changes as the two characters become more aware of the significance of Tian's actions.

The sequence is just a series of single shots (meaning each shot only features one person), but we can feel the tension between Wang and Tian because of the shift in balance and shot size. The shots start off-balanced and dirty, the characters' faces off to the edge of the frame and obscured by the other, but soon the framing closes in on their eyes gazing directly at each other. The extreme close-up is strangely honest and intimate, evoking a sense of wonder and nerves.

Being confined to such a tight frame proves to be too much for Tian, however, and the camera responds accordingly by shifting to a medium shot, as if to give him a breather. But from Wang's small smile, you can tell he feels pleasure at the idea of someone caring enough to protect him, and the camera language for the rest of the scene uses several techniques to visualize the emotional connection he allows himself to indulge in.

(See the lovely rack focus during Tian's "I was just thinking you must have been very scared" speech". Rather than editing together separate shots of Tian and Wang, the camera keeps both characters in frame and smoothly changes the focus between the two, visually linking them together. Their vulnerable conversation has fostered an irreversible shift in their relationship.)

So it's notable that when Tian tells Wang he is thinking of leaving Wang home to stay in the school dormitories, we get this absolutely devastating shot from outside their window, the closed frame now creating a stark line separating the two:

Tian: Why do you want to stay at the school? Wang: ...I wasn't familiar with you. Tian: How about now? Do you still want to stay at school? Wang: No, now that I'm more familiar with you, right? And you? Do you still want to stay at school? Tian: I think I will in the future.

Wang interprets Tian's decision as a rejection of him, and the shot is cold and isolating to reflect that. Their last few interactions were one step forward and two steps back.

What smart visual storytelling.

[positivelybeastly]

Love reading through your analyses and I was wondering if you had insight on something I noticed with Hank/Beast and Kurt/Nightcrawler: writers often use both of them in the visible mutation metaphor and emotional cores, but Kurt's approach is more from faith and Hank's is more from curiosity. Often when one or either are gone/dead/changed, things seem to get worse for the Team overall.

Do you think those two would benefit each other's characters? Even just to have spirited philosophical discussion?

So, this actually touches on a funny thing that I've noticed with Beast and Nightcrawler over time - which is that they're almost never on the same team together, probably precisely because they serve an extremely similar function in a team composition, for the reasons you've kind of touched on here.

They are, after all, both heavily visibly mutated individuals who were, or are, considered figures of great integrity and morality, with a strong code of ethics and a depth of feeling that expresses itself in a deeply vivacious personality - romantic, friendly, charming, and erudite.

Therefore, having them both on a team is, unfortunately, somewhat redundant.

That being said! They do still interact, and they're shown to be sources of great comfort and friendship for one another. Their first meetings were - somewhat inauspicious . . .

See, this is the funny thing about old comics - storylines just flow and flow and flow. Comics didn't stop after ten issues and get restarted with a new #1 every few months, they just ran and ran and ran, and the pacing reflected that.

There aren't usually month long gaps where you can assume nothing happened and people just got to hang out, they're working hard! Hank has been working with the Avengers so much that he literally hasn't even had time to meet the new X-Men properly! Wild.

But, eventually, things did slow down, and they got a chance to properly socialise, and, as expected, they got along like a house on fire.

Like, these two are just born to be friends. They have so much in common. Where Hank leans more to the obscure, the erudite, and the scientific, Kurt leans more to the dashing, the swashbuckling, and, of course, the religious, but they're still both fundamentally cut from the same cloth - acrobatic, charming, philosophical, heroic, fun.

But, that same alike quality means you don't get a ton of interaction between them, so I cling to what they do have. One of my favourite interactions between them is in Nightcrawler's 2004 solo series.

First off, absolutely adore Hank in this art style. The fact that the artist decided to include the detail of his fur poking out of the shirt like that is just. It transfixes me. I really want to go over and just. Run my fingers through his side fur. But mostly, I just like their chemistry? Hank's a great supporting character because he's so emotionally intelligent and reflective, and he's great at giving people perspective, usually with a healthy dose of sarcasm and teasing.

That being said, this scene is always the one I point to whenever I say that the X-Men really have no idea what's going on in Hank's head a lot of the time, because this took place after Hank had been psychically brutalised, nearly beaten to death, and one of his best friends had just been murdered - and he's doing a really very good job of hiding that trauma.

So much so that Kurt thinks he's just fine. He's just fine. There's nothing to worry about. But it's not Kurt's fault, and it's nowhere near unique to him, either. He had no way to know, he had his own stuff going on (the subject matter of this solo series, as it happens), and Hank is doing well enough that it isn't interfering with things, so, let him deal with it in peace, I suppose.

At least on this occasion.

Kurt is, after all, an emotionally intelligent and caring individual. You can't stop Nightcrawler from trying to help where he can. And I think that even just the reaching out, just the show of support, can be enough for a character like Hank.

Moments like these matter, in my opinion. It's important to show that teammates and friends care about each other, in the moment to moment stories, otherwise it can all feel very impersonal and like no-one cares about one another. This is how you establish dynamics over years, even between characters who have, technically speaking, never really been on a team together before.

The next big milestone I can think of comes after the X-Men's move to Utopia, where, again, Hank and Kurt don't share a ton of panel time together, but . . .

This is one of the few times you'll ever hear anyone say that Hank was right. And it's not really a surprise that it comes from Kurt, because, again, these men are cut from the same cloth. They come at it from different angles, but they believe in much the same things.

And . . . that's why it hits so hard when Kurt dies.

I don't necessarily agree with the decision to have Hank break from the literal funeral procession to call Scott out for Kurt's death. Some fans of Nightcrawler really appreciate that moment, because it shows how much Kurt's death affected Hank, but I personally just. Don't think it tracks, for Hank to be quite that disrespectful.

After the funeral, or even before, but during it? Nah. Matt Fraction made a good few Hank characterisation choices I don't agree with, and this was one of them.

This felt a bit more apropos.

Remember what I said about how little moments build to dynamics between characters who have never been on teams together? I buy this moment so much more with the context of that moment from Endangered Species, where Kurt is literally positioned as the light trying to pull Hank out of the dark path he's following with obsessive fervour. The fact that he was trying went a long way. Hank felt it, even if he didn't take him up on it at the time. That moment mattered.

And that's why I absolutely buy Hank's reaction when Kurt came back to life.

Hank believes in Kurt. He believes the very best of him. On teams where Hank can often feel alone or isolated, someone like Kurt will reach out, and make him feel connected, and welcome, and pull him back. Temper his scientific pessimism and realism with optimism and belief. Restore his fervour, and remind him of simpler, happier times.

A lot of the best scientists, who have contributed the most to scientific inquiry, were religious, because for a lot of them, there's no real conflict between science and religion, they're both two sides of the same coin, in a way - a belief in a higher power. It's just how they react to that higher power that changes.

And while Hank was explicitly religious for a while, I always interpreted him as losing that faith over the years, becoming bogged down in the real over the sublime as what he went through wore him down. Someone like Kurt was able to spark that in him again. Maybe not his faith, per se, but at the very least belief in the human spirit.

It's important. As you say, massive benefit to each other's characters. Underrated dynamic, these two. Absolutely love 'em.

[silviakundera]

Oooh I like duke su from the show but the one from the novel sounds so much more interesting tbh I love a morally grey character with his own goals who doesn't give a f*ck what the lead is trying to do but has their own agenda and it's a much slower burn. Though with how Chinese dramas operate these days it's no wonder they made him like the FL and start helping her extremely early I don't think they know or even can with how netizens are write anything else.

Though I too love novel Su guogong, I think we're in a real quandary for the adaption.

The censors won't let him be characterized as black as the novel version AND be allowed to survive (see: Eternal Brotherhood where we can have a main character who is a dark schemer with blood on his hands that adores his wife -- only because he's doomed, doomed, doomed!) Boooooo!!! I do not agree that this softening was required for this work nor Story of Kunning Palace. Grr!!

But the change to make the FL and ML interact much more and work together in the 1st half, rather than him observing coldly and uncaring about her life or death -- imo that's a quandary about different mediums and how the audience reacts to them.

I wrote a lil meta post previously about the live action adaption of MDZS and why imo the production was forced to change the WWX and LWJ backstory. Once they decided on a linear storyline, imo the otp had to eventually be friends in his first life with a mutually acknowledged bond. The audience simply CANNOT be asked to wade through 20+ hours of episodes before LWJ as love interest isn't repeatedly rejecting the protagonist. 25 episodes and weeks in real-time of him being only cold & standoffish is too much for most viewers. When consuming the novel, the reader both won't have that stretched out real time delay until the couple are on the same page. And it won't take them 20 hours of reading to get there.

Things hit different for a crafted romance on page than performed live on screen for a 40-50 episode drama.

I can still see the adaption's struggle with this. Su suogong is truly a minor character in the novel and frankly not an active participant in most of the problem > scheme > resolution sub-arcs. He has this whole other full life of his own separate interests happening..... somewhere else. The novel mostly leaves his weekly activities as a black box, an obscured mystery. Drama boy is out there somewhere moving his chess pieces & murdering people for power but the reader often just sees glimpses of him ominously sipping his tea & ordering his minions around. In order raise him to a main, the drama is forced to make him involve himself in the play much earlier - to give him a reason to be on screen that is fully tied in with the main plot & its themes. He has to care about FL by the 9th hour in, and want to support her.... or give up ML status to Ye Shijie. 🤷

We can see the strain of this as 3 episodes may happen and all the screenwriter can do is have Su guogong show up for 5 minutes just to flirt a little and remind viewers he's alive 😂😂 but that's what you gotta do with 40 episodes tbh. I can't disgree that this is a more enjoyable viewing experience.

[datshitrandom]

‘Maybe Happy Ending’ Review: For Robots, Is It Love or Just a Hookup? by Jesse Green

"The same applies to the acting, which is daring enough to tell the robot story yet not so extreme as to obscure the human one. Criss, who has sometimes seemed stiff onstage, is especially fine here, delivering a startlingly gestural performance, all tics and glitches, that never obscures the true feeling within. The trap of twee is thus thoroughly avoided. And Shen, making a confident Broadway debut, similarly backfills Claire’s facade of wit and smart-girl impatience with the surprise and pain of newfound affection. Though she also sings, as Criss does, divinely, their singing is never an end in itself; it is how we feel that their story is ours. And when their duets become trios with Duron’s Gil Brentley, we understand just how powerful popular music can be: It has given these robots hearts." [..] "A good question for robots and, as posed by this astonishing musical, maybe the most deeply human one of all."

‘Maybe Happy Ending’ Review: Broadway’s Deeply Moving Robot Musical, Starring Darren Criss, Teaches Us How to Be Human by Christian Lewis

"Both Criss and Shen give excellent, very different performances. As an older model, Criss is purposefully more robotic: angled arms, stiff neck, straight spine, minimal facial expressions. His commitment to the physicality is remarkable and impressive — you might only fully appreciate it during curtain call, when he walks and emotes normally. He is the stronger singer of the pair, but his roboticness, though true to character, can make him slightly harder to connect to. (His silent-film star makeup, by Suki Tsujimoto, is also distracting.) Shen, on the other hand, feels practically human, and there’s more pathos to her pained performance, especially in her awareness of her own impending mortality." [...] “Maybe Happy Ending” is an undeniably moving, well-made, adorable musical, and it is a pleasant surprise to see an audience weep at a show about two robots in love. The musical makes the bold claim that maybe we are not that different from robots after all, or that they are not that different from us. Just as robots have much to learn from humans, we in turn can learn from them, especially how to care for each other and for ourselves. It’s crucial to know when you need to charge your battery, but likewise it’s important to be willing to share that charger with someone in need."

‘Maybe Happy Ending’ Broadway Review: Darren Criss And Helen J Shen Delight As Lovestruck Androids Dreaming Of Electric Cheek by Greg Evans

"It takes a special type of theatrical talent, one loaded with heart and wit and insight, to imbue something that looks like an Apple MagSafe iPhone Charger with more romantic appeal than a decade’s worth of Valentines Day chocolates, but that’s just what the creators and performers of the delightful musical Maybe Happy Ending have achieved." [...] "Featuring marvelous performances from Darren Criss and Helen J Shen as two obsolete “helperbots” retired to rooms in a sort of well-appointed robot hospice center – think those all-the-rage tiny houses as if designed by Pee-wee Herman – Maybe Happy Ending is set outside Seoul at some point later in this century. It’s a world that seems distant enough to quality for sci-fi, but familiar enough to look like that eye-candy Mid Century Modern furniture catalogue you got in the mail last week."

‘Maybe Happy Ending’ Broadway Review: Definitely a Big Hit Starring Darren Criss by Robert Hofler

"Oliver is an older model, so Criss delivers a lot of robotic mannerisms — there’s a distinct jerkiness to his gestures and gait, his speech sometimes emphasizes the wrong syllable. All and all, Oliver is a remarkable achievement and brings to mind Haley Joel Osment’s David in Stephen Spielberg’s “A.I.,” if that boy robot had ever been able to grow up." [...] "More than delivering big, Arden knows how and when to hold back to make the audience a participant. His direction never fails to activate the imagination."

Review: ‘Maybe Happy Ending’ Is the Best New Musical on Broadway by Tim Teeman 

"The show begins with Claire requiring a battery recharge, so knocks on the door of neighboring retired robot Oliver. He takes so long opening the door when he does so it is to her frozen, temporarily without-power figure. A nervy, very particular robot himself (whose most intimate relationship is with his houseplant HwaBoon), Oliver doesn’t know what to do. Criss plays him with the coiffed handsomeness of a K-pop star and the stiff gait and easily-rattled manner of C-3PO (he has the added skill of really knowing how to decorate a small studio space)." [...] "Criss erupts with puppyish excitement and panicked worry, while Shen gives Claire a defiant edge that co-exists with a resigned fatalism." [...] "In the end, you are not only rooting for Claire and Oliver, but also for them recognizing the intricately weird routes we take to figure out what and who we love, and what and how we feel as we do so. For a musical about robots, Maybe Happy Ending is a very human show about not just the value of connection, but also the life-saving, heart-expanding importance of us recognizing that value."

Maybe Happy Ending: Beguiling Musical Charmer from Korea by Michael Sommers

"The performances of Darren Criss as the chipper Oliver and Helen J Shen as the clear-eyed Claire are not so utterly adorable as to be cloying, but they are pretty adorable anyway. Dressed by designer Clint Ramos in cute boy-bot duds, Criss’ slightly androgynous looks suit Oliver’s character, whose movement reveals subtly robotic gestures. Making an auspicious Broadway debut, Shen gives her sensible Claire a warm voice and presence. Another newcomer, Dez Duron looks sharp and sounds dreamy as the big band singer. Marcus Choi, Arden Cho, Jim Kaplan and Young Mazino ably depict various people throughout the story." [...] "Lately there’s been audience complaint – if chat boards can be believed – how some recent Broadway musicals blast out hellishly loud, banging music. Maybe Happy Ending is surely the balm for any such feelings, since its sometimes jazz-inflected score is orchestrated gently for mostly strings, keyboard and woodwinds with exceptional grace by the composer."

Darren Criss in a robot rom-com that will fly you to the moon by Naveen Kumar

"Their single-occupancy apartments are the vision of urban loneliness. Flashbacks to the cozy but bleak self-sufficiency of solo pandemic-era isolationare inevitable for some of us when Darren Criss, who plays a model No. 3 named Oliver, sings an ode to the world within his room. (I’m not saying I also sang to my favorite plant, but I’m not saying I didn’t.) Part toy box and part hypermodern studio, Oliver’s is a space for maintenance and introspection. Claire, a more-advanced model No. 5 played by Helen J. Shen, comes knocking because her charger is busted and she needs some juice. (Newer models have advantages, but Oliver is quick to point out sacrifices in durability.) Oliver, who inherited his owner’s appreciation for Duke Ellington and Bill Evans, moves like a graceful marionette; Claire carries herself like a regular girl next door. There’s an offbeat ease to their chemistry, and Criss and Shen are both lovely singers with an unshowy confidence that’s become all-too rare." [...] "The Broadway debut benefits from the swells of self-reflection many of us have waded through in the meantime — about what makes us who we are, why we want to be with each other and how long any of this is really going to last. Whether anyone’s ending turns out happily or not, at least we have the choice to be together."

‘Maybe Happy Ending’ review: Darren Criss shines in one of the best musicals in years by Patrick Ryan

"[...] Criss, on Broadway for a fourth time, is delightful as the eager-to-please Oliver, whose sunny outlook gets clouded by the sobering realities of life. Portraying a fish out of water, one could easily overdo the robot’s wide-eyed wonderment and stiff, mechanical movements. But the “Glee” star is smartly subtle, deftly landing many of the show’s funniest punchlines and sight gags. (In a clever bit of stage magic, Oliver briefly short-circuits and smokes up after nervously downing a cocktail.) " [...] “Maybe Happy Ending” is undoubtedly the most original musical to grace Broadway since 2022’s “Kimberly Akimbo,” another small story with big ideas and even bigger emotions. With gentle humor and pathos, Park and Aronson manage to tap into the most human of questions: Is it still worthwhile to love, knowing that pain and loss are inevitable? "It’s the kind of show that’s hardwired to make you cry. But judging by the resounding sniffles from our audience, there’s nothing artificial about this rare, tender gift of a musical."

MAYBE HAPPY ENDING: A Visionary Ode to Emotion — Review by Juan A. Ramirez

"The story concerns Oliver (Darren Criss) and Claire (Helen J Shen), two “helper-bots” residing in a sort of purgatorial dorm for obsolete technology in near-future Seoul. Oliver is all bright smiles, perfectly gelled hair, and a ‘50s sense of politeness, which gives Criss a chance to play into his own squeaky-clean persona, and wring humanity out of a Kabuki-level performance of surface sheen. (Clint Ramos did costumes; Craig Franklin Miller hair; Suki Tsujimoto makeup.) He’s spent the past decade or so mindlessly amassing stuff he gets delivered, poring over the Jazz Monthly subscription his owner left him, and hoping he’ll one day return for him. " [...] "[...] One becomes aware, throughout its lush 100 minutes, of what a humbly groundbreaking experience is unfolding onstage. This is a very special show; a tender, visionary ode to the space we’re able to create and hold for feeling, and the hope that it may continue."

‘Maybe Happy Ending’ Review: Robot Love by Dan Rubins

"[...] Arden deploys a series of theatrical gestures too breathtaking to spoil here. It’s stagecraft that illuminates the musical’s messages about the value of looking up and outward from our devices while simultaneously pointing towards theater’s unique ability to transcend technological bells and whistles in the service of a more natural, unadorned beauty. Criss and Shen, too, turn the slightest of touches into electric connection. Criss, expert at gluing a not-quite-human grin to his face and circling Oliver’s apartment with mechanical grace, lets his rigid, aloof character gradually thaw out. He inherits a century-spanning tradition of musical theater characters, from Marian Paroo to Henry Higgins, slowly shedding their tough exteriors, unleashing a bottled-up potential for passion, though Oliver just happens to be a literal robot. Shen, charmingly kooky off-Broadway in Teeth and The Lonely Few earlier this year, makes an explosive Broadway debut as Claire: Only 24, she has a preternatural gift for marrying the tender and the deadpan. Both do Aronson’s music, which he orchestrates himself with a richness that deliberately belies the HelperBots’s artificialness, full justice." [...] "[...] But a musical made as well as Maybe Happy Ending deserves to be with us for some time to come."

Maybe Happy Ending review: Darren Criss is effortlessly charming in a visually dazzling romance between robots by Shania Russell 

"Shen and Criss share an easy chemistry as Claire and Oliver, a mismatched pair who delight with their charming interactions. As the older model, Oliver is the more robotic of the two, an amusing distinction for which Criss nails the physical comedy. Oliver is gleefully stilted where Claire is natural and relaxed. Together they are playful, his sass matching her snark, his optimism complementing her jaded outlook. Despite the perpetual pep in his step, it's Oliver whose path forward seems unclear, as Claire embraces the potential offered by the time that remains to her. From that push and pull emerges a constant, endearing tension." [...] "Despite Oliver’s earnest nature — familiar territory for the Glee alum — Criss is not the one stealing the show. Charming as Oliver’s pronounced quirks are, his interiority feels as though its held at arms length — especially when compared to Claire, whose fraught emotionality pulls focus courtesy of Shen’s moving performance. Oliver may have his optimism challenged and his nerves tested, but he remains much the same, clinging to life’s simple joys. Alas, charm goes a long way. Criss is often his most compelling when given a character with edge (his stint as the titular East German rocker in Hedwig and the Angry Inch or his Emmy-winning turn in The Assassination of Gianni Versace: American Crime Story) but here he is charming, spirited and wonderfully funny." [...] "[...] There’s nothing robotic about this production: it wears its heart on its sleeve and on charm alone, succeeds"

Review: Maybe Happy Ending With Darren Criss and Helen J Shen, a Balm for Trying Times by David Gordon

"From his stiffly humorous movement (choreographed by Moni Yakim) to the unblinking sincerity in his delivery, Criss is immensely impressive as he captures the discreetly emotional essence of this outdated bot. His tightly coiffed hair (styled by Craig Franklin Miller) and shellacked makeup (Suki Tsujimoto) go a long way in helping him bring us to an uncanny valley that’s legitimately freaky. Shen is effortlessly charming, infusing Claire with a shy humor that makes her utterly lovable. Together, they share such easy chemistry that you find yourself rooting for these two lonely robots to be together forever." [...] "Despite its flaws, Maybe Happy Ending exudes an undeniable charm and warmth, which sets it apart from many other new Broadway musicals these days that go for bombast over emotion. Refreshingly original, this story about two robots who, for a brief moment, meet each other halfway, becomes a poignant celebration of finding connections in an ephemeral world. It’s a comforting reminder that love and friendship, however temporary, make the journey worthwhile."

Maybe Happy Ending. These are the robots you're looking for by Adam Feldman

"In a Broadway landscape dominated by loud adaptations of pre-existing IP, Maybe Happy Ending stands out for both its intimacy and its originality. Arden and his actors approach the material with a delicate touch; they trust the romantic comedy to be charming, which it is, and let the wistfulness emerge naturally. In the faint artificiality of both his movement and his appearance–pale face, neat dark hair, red lips, high-waisted pants—Criss’s Oliver endearingly evokes the silent-film clown Buster Keaton. (He also sometimes suggests a neurodivergent adult.) Shen’s more naturalistic Claire—she’s a Helperbot Five; he’s just a Helpbot Three—has a winsome, Eponine-y combination of pluck, resignation and piercing pop-vocal emotion." [...] "Can a show as strange and special as Maybe Happy Ending find a place for itself on Broadway today? I like to think that maybe it can. But as the show reminds us, everything is ephemeral: “We have a shelf life, you know that,” says Claire. “It’s the way that it has to be.” The fact that this show is casting its firefly glow on Broadway at all feels like a gift. In its gentle robot way, it helps us see ourselves through freshly brushed eyes."

Maybe Happy Ending review: heart-grabbing robot Broadway musical by Adrian Horton

"This refreshingly original musical, first staged in Seoul in 2016 and directed here by Michael Arden (most recently of Broadway’s excellent Parade revival), makes swift work of time and space; sheer layers of digital displays (video design by George Reeve), impressively constructed modular sets (scenic design and additional video design by Dane Laffrey) and Criss’s rote movements succinctly illustrate the patter and (robot) heartbreak of Oliver’s daily routine over 12 years in the Helperbot Yards, waiting for an owner who never comes back." [...] "[...] Criss’s at first overtly physical performance – the startled, staccato movements and jerkiness of a machine – settles along with Clarie’s scorn into beloved familiarity over the course of the show’s 1 hour and 45 minutes. Both robots struggle with their obsolescence and hard drive memories of past humans, and the strange tale kicks into gear once they hit the road as reluctant buddies in a quest for answers." [...] "Which may hit one’s hardened soul – it did mine, a bit – while still pulling some punches. You will likely leave without a song stuck in your head, but with a lump in your throat nonetheless."

‘Maybe Happy Ending’ review: Romantic robot musical is glorious on Broadway — really by Johnny Oleksinski

"The sublime start of “Maybe Happy Ending” is the closest I have ever come to experiencing a Pixar movie on Broadway. Oliver, a lonely robot played by Darren Criss, goes through his usual daily routine — over and over and over again." [...] "This big swing of a musical wouldn’t work without the perfectly tuned performances of Criss and Shen. These roles could easily be twee and irksome — they are anything but. Criss’ Oliver is a smiley mix of J. Pierpont Finch from “How To Succeed” and Pee-Wee Herman with a bit of earnest boy next door. He’s a bucket of bolts with a heart of gold."

When Robots Meet Cute: Maybe Happy Ending by Sara Holdren

"Park and Aronson get a lot of mileage out of the pair trading barbs over their different model types — one of the most genuinely funny bits involves Claire recalling a function by which the Helperbot 3 must respond with “You’re welcome” any time someone says “Thank you” — and it’s all very Threes Are From Mars and Fives Are From Venus. It’s a little easy, but the show’s not trying to be hard, and Shen and Criss are the ones who make it work. Shen especially is a delight to watch, with an open, emotive face full of quicksilver expressions and a tartness that can turn explosive when she needs it to. “You just said it was my turn!” she roars at one point during a shared song in which Oliver keeps blithely noodling over her. It is — another requisite of the genre — #relatable." [...] “Why, love?” croons Gil Brentley from Oliver’s record player. “Why did we bother to try love? … When all things end in good-bye, love, / Why did we dream that this fate would not be ours?” If you find yourself cruising the streamers at night, sipping chamomile tea and searching for Sliding Doors and Sweet November and French Kiss, then Maybe Happy Ending is waiting for you."

[absolutebl]

This Week in BL - A Lot Ended, Quite Bit Started, I got things to say about it all

Organized, in each category, by ones I'm enjoying most at the top.

Nov 2023 Wk 2

Ongoing Series - Thai

My Dear Gangster Oppa (Thurs iQIYI) 3 of 8 - This is just a great BL. So fun with few frills and paced nicely. Thai talent + Korean story is proving very harmonious for narrative flow. I’m delighted. I love that they don’t shy away from letting Tew be an actual violent criminal who is just gone and mushy for this one geeky cutie. Also I appreciate it when a show hangs a lantern on its own plot failing. In this case, the main character being drunk as a plot devise 2x in subsequent eps.

Twins the series (Fri GaGa) ep 2 of 10 - Love it. Love Spite and his chronic guilt over his younger brother, the golden child. Love that he is driven to repair for a past that no longer exists. Evil mom who cares more for what her son can do than that son, let alone his brother. The volleyball well…. erm. I played varsity (setter) so this is amusing to me but I’m not mad about it. 

I agree that this Not Me just sports and pulp. 

Last Twilight (Fri YT) 1 of 12 - JimmySea are back and is this... good? Do I like this? I don't have faith, GMMTV has been doing us dirty lately. But I think I like it! Why The Little Prince AGAIN? Ugh. 

Middleman’s Love (Fri YT & iQIYI 1 of 8 - Domundi giving us an office comedy hyung romance staring TutorYim (Cutie Pie) with NetJames (Bed Friend) and LeoTai (Friend Forever) providing support. Lets hope they stick to only 8 eps. Buckle up, I got shit talking to type.

I warned ya out the gate that this is a Cheewin comedy, so tonally it could be very OFF, and boy howdy is it EVER off. There's a place this kind of show goes where it's so cringe it's visually rotten and this one went there out that gate. Also, I'm gonna say it because no one else has, Yim is not good in this role. Comedy is HARD to do and Cheewin isn't doing this green actor any favors. He's chewing the scenery like a woodchuck after a diet.

To be fair, Tutor isn't great either, but he's been given less rope to hang himself with. Mai is currently suffering from seme obscurity: the love interest's defining characterization being = tall and handsome. (Which is not characterization... agony... glares at Cdramas.) We will see if he gets a personality, but based on past work form this director and this writer, don't bank on it.

Frankly? I'm not convinced either of them are mature enough as a pair or as actors to carry something this abrasive and to stand up to Cheewin's visual abuse of our eyeballs. I think this is going to be a rocky ride. HOWEVER, because it has tropes I'm good with (as opposed to SCOY) I'm sticking with it for now but this is gonna be ROUGH going for everyone.

Backstory: This used to be a JimmyTommy vehicle before the pair split (also prev title Middle Love). Adapted from a Y-novel. I can actually see Tommy in this role very clearly and I suspect he may have been bettern(and I am more a TutorYim fan as a pair). Also I will likely be referencing SCOY a lot while watching this because SCOY is peak Cheewin nonsense comedy but with an incredibly strong lead pair, so comparisons will be drawn.

Absolute Zero (Weds iQIYI) ep 7 of 12 - Sigh. Linguistic negotiation but for sad reasons? It fascinating but it hurts. Look, the cast is very good I just don’t like the premise.

My Universe (Sun iQIYI) The Camp Fire ep 12 of 24 - Well that was extremely odd. I’m not sure how I feel about it. If it hadn’t had the strange framework and horror component and been just a simple BL story I probably would’ve enjoyed it. Why do the pulps always  squander their best pairs? 5/10 New installment (Friends Forever) looks terrible and not BL.

Beyond The Star (Weds iQIYI) qp 1 of 8 - House of Stars meets Boyband. I am not impressed. Thailand just needs to leave everything music related to Korea. I’m enacting a ban. The framework on this is truly awful. The talent is not talented in acting let alone dance or song. I thought about sticking with it a few more eps but i putting in on hold. It’s too wooden even for me.

@heretherebedork I depend on you to report back. This is the kind of thing only you can watch. It’s like Cupid 2023. 

Ongoing Series - Not Thai

A Breeze of Love (Korea iQIYI) 1-2 of 8 - previously know as Weather Forecast Love this one popped up in MDL's currently airing, and I was like, what what? Basically: Tsundere insomniac grump and his sunshine jock ex bestie (human sleeping pill) who now hates him. Basketball is involved and I love it.

It ended, are we sad? REVIEWS

Kiseki: Dear to Me (Taiwan Viki & Gaga)

Yes, we sad! Ai Di and his dumb oversized sweaters and flappy flappy sleeves are EVERYTHING.

Final ep? Nice that the elder gays got screen time, more of this please? Sides dominated this finale, matched outfits and all. Also I’m living for the Bless this Mess shirt. Finally Taiwan gave us lots of biting and a counter lift. It’s like they know me!

Quick pitch for KDTM?  

The plot is totally ridiculous and slightly unhinged, but that’s normal for Taiwan. It involves all the tropes under a very casual framework of gay mafia gangs + food = love. Absolutely every character is queer. There’s a gum-ball machine of cameos, elder gay rep, great chemistry from all pairs, and a KILLER side couple. As a result Kiseki is a poster child for Taiwanese BL, and I happen to love Taiwanese BL. Bonus? They also managed to END IT WELL, which we cannot expect from Taiwan. 9/10 HIGHLY RECOMMENDED 

Triggers for knife play, child abuse, lingering trauma. I found both platforms did not do a great job on subs, but I will give the edge to Viki for pure usability.

You Are Mine (Taiwan Viki & Gaga)

We are more disappointed than sad.

Far be it from me to extend this show, but we should’ve had 2 episodes of quality supportive boyfriends coping with family drama before the mom-confrontation climax and defense of the ESTABLISHED relationship. Baby's little speach had no power or impact coming where it did in this narrative, even though it was sweet. And while the make-out scenes were charming it mostly jsut felt like we'd squandered this pair. This last ep was good and rewatchable, but a series cannot be judged on its last ep alone.

Finally... could have used some side dishes. My vote? Lesbian secretaries!

Conclusion 

I am sorry Taiwan, you know I love you, but I have to say it: this show was a mess of terrible pacing. And not a hot mess, sadly. I should have liked everything about this: it’s an office drama, it’s mature characters, it’s grumpy/sunshine, it’s a strong power dynamic, and it’s Taiwan - which means good chemistry. YAM was all those things and yet… something went horribly wrong with the narrative structure. You tried dears, but not hard enough. 7/10 

Bump Up Business (Korea Gaga)

Well, poop. Don’t have them speak English. Also no playing drunk. Meanwhile, all the manipulative gay drama. No kiss of course.

How do I summate this?

An idol group did the best they could with a script tailored to idols but which they were not allowed to fully realize because they are active idols in the same group. Ultimately it felt a bit like OnlyOneOf were just doing one of those Kpop skits for a variety show were two of of them dresses in drag/gay/BL and "ha ha isn't it funny?" I don’t know, it was fine? 6/10

stop wasting my time, Korea

Mr Cinderella 2 (Vietnam YT)

DNF on the advice of several of my BL spies I will not be finishing this. Apparently it pretty much ends sad. Here's an explanation.

It's Airing But...

I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) 8 eps - in classic JBL fashion, I Cannot Reach You could not be reached. I will try it when I have some time and access to my home computer.

One Room Angel (Japan Gaga) 6 eps - adaptation of Harada’s manga (which I did not like) about a clerk who's stabbed, nearly dies, and returns home to find an angel waiting for him. With only 5 eps and a good chance this won’t end happy, I'm gonna wait and let you tell me how it goes.

WAITING FOR VERDICT OR TO BINGE

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - I find this series more fun to binge, so I'm waiting until it completes its run.

SHADOW (Thai Gaga) 14eps - this is a horror BL with ghosts & paranormal elements in a boarding school setting. I'm not wild about Thai horror (or horror at all). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools. I'm holding off on this one and if told it's good I'll binge watch.

Next Week Looks Like This

11/15 Let's Eat Together Aki and Haru AKA Aki wa Haru to Gohan wo (Japan Gaga) - this BL movie is coming to Gaga.

11/16 PLAYBOYY (Thurs ????) 10 eps - trailer here, high heat and it's helmed by Cheewin (shudder) with screenplay by Den (Only Friends) under Copy A Bangkok. It's gonna be a shizz show people. It's predicting Thai style "dark" (War of Y) one of my least favorites. Apparently there is a "plot" but when has Cheewin ever bothered with plot? A university kid who was involved with escorts, sex-trade, porn, online hook-ups, drugs, prostitution, blackmail, revenge, and so forth goes missing. His twin (sigh) and two friends look for him.

11/17 Pit Babe (Fri iQIYI) ep 1 of 14 - high heat teaser here, based on alittlebixth's omegaverse novel #พิษเบ๊บ’ set in the world of car racing (author says show will not be omegaverse). Charlie (fresh face), a young hot nerd, approaches his driver idol (Pavel "my love" 2 Moons 2) to borrow a racing car and win one for the team. Production house is new to BL but behind the Club Friday stuff. Show stars many known actors: Nut (Oxygen), Pop (Ram in La Cuisine), Pon (Phai in Gen Y, we LOVE him), Benz (twins in En of Love: This Is Love Story).

Thailand bring the November heat, I guess?

Upcoming November BL

11/19 Bake Me Please (Sun Gaga) ep 1 of 6 - trailer here, stars Ohm (of OhmFluke) opposite Guide (bestie from IFYLITA) and possibly also Poom (well known, but not for BL). This looks like an actually gay version of Antique Bakery (play it again, BL). Still, I'm intrigued, it looks HELLA pretty.

11/22 7 Days Before Valentine (Weds ????) ep 1 of 10 - trailer here, horror-esk. Adapted from y-novel of the same name, directed by Tu (180 Degree) stars Jet (Why You… Y Me?). When you want your old love again, but fate sends you a reaper instead. All he can do for you is kill people. I'll likely give this a pass and wait to binge if safe.

11/25 The Sign (Sat ????) ep 1 of 10 - trailer here, horror-esk, but with a suspense and adult characters. Special investigators who loved each other in previous lives reunite in new bodies. Stars Billy Patchanon (BillySeng) & Babe Tanatat (new). Includes other SCOY favorites as a special investigation team. I may give this a try because I'm into the non-horror bits.

11/26 The Whisperer (Sun ????) 1 of 10 - trailer here. Thai horror BL that ALSO involves cheating (what joy is mine). He has dimples (My Ride) but I don't think even that gives me the will. Maybe a binge for me.

11/26 Cooking Crush (Sun YT) 1 of 12 - OffGun are back, trailer here. Adapted from the novel “Love Course! เสื้อกาวน์รุกเสื้อกุ๊กรับ” by iJune4S this is about Prem who runs a not-so-popular restaurant with 2 friends. About to go on a cooking competition with a huge reward, Prem gets involved with Ten, a stressed-out med student who wants Prem to teach him to cook.

11/30 For Him (Thurs ????) ep 1 of 10 - high heat trailer, I suspect iQIYI will scoop this one up. From the people who brought us Unforgotten Night (please no) based on a y-novel, man nursing a heartbreak has a one-night stand, but the other boy didn't want it to end. It looks terribly trashy so I'm in! Maybe I'll do a trash watch?

VIP Only (Taiwan) - may be delayed/canceled

Wuju Bakery AKA Space Bakery (Korea) - this one may be DOA

A Breeze of Love (Korea) - I know less than nothing about this.

Nov 2023 line up with screen caps here. Not kept updated.

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

This is in the intro card of My Dear Gangster Oppa, I'm just amusing myself.

Thank you Keseki for givign this to us twice!

Also the tears! So pretty crying.

And, of course, my favorite the biting!

Have I mentioned recently how much I love Taiwanese BL?

(Last week)

[smokestarrules]

Why Caleb & Evelyn’s Absence is Good Writing

So if you don’t know me, I’m a big fan of Caleb and Evelyn (Clawthorne. Because I’m sure). I’m fascinated with their story -- I wrote an entire fic about them in 2022 before we even knew Evelyn’s name -- and I find them both incredibly interesting considering what is both shown about them and not. Despite that, I had a feeling that neither of them would make an appearance in Watching and Dreaming, and I was right. 

Understandably so, some people were disappointed with that decision, that they were hoping for an entire flashback scene or something close to it. But while that also appeals to me -- oh my god does it appeal to me -- I also really enjoy the intangibility of it all. 

So, I have three reasons as to why I like that Caleb and Evelyn didn’t show up again, which I’ll go through in no particular order. The rest of this post will be under a cut because it’ll probably get pretty lengthy. 

1) Haunting The Narrative

Half of Caleb and Evelyn’s intrigue comes from the fact that in the end, we really  don’t know all that much about them. Everything that we do know is from second-hand accounts at best and the rest of their story is up to your own singular interpretation; we only know the bare bones of their tale, but at the same time, they’re both extremely monumental to the main plot of the show. 

They’re hardly ever shown centered on-screen (in Evelyn’s case, never), and again, despite their huge impact on the characters and world even 400 years later, it’s part of their charm that... they’re mysterious. You’re not meant to know much about them, not meant to perceive them as normal characters. Caleb never speaks in the show, Evelyn hardly even appears, and in the end, they’re not meant to be understood. 

Caleb seems to have undergone some semblance of a redemption, but that’s only alluded to considering how he ends up dead; the implied is everything, and getting a concrete answer would, in my opinion, ruin part of what makes this story so fascinating. 

Of course, the biggest argument I’ve seen against this idea is that casual viewers of the show, the ones who don’t care about combing the background of Hollow Mind for lore about Emperor Belos’ big brother, will be confused without the lack of context. And... I disagree. 

Sure, maybe some people haven’t seen the portraits from Hollow Mind, but they’ve certainly seen Caleb when Gus went through Philip’s mind in King’s Tide. Maybe they missed the book about Grimwalkers in Labyrinth Runners, but they definitely caught Caleb in Philip’s diary during Elsewhere and Elsewhen. Then, in Thanks to Them, there’s an entire scene in which Masha very kindly gives an entire summary on the topic, tipping off both the main characters and anyone else in the audience who may be confused. 

The story’s all there, both in the background and in the forefront of the show, and it’s weaved in so beautifully that it’s hard for me to believe that anyone would see Caleb in For the Future (of which is a scene I will be talking about soon) and have absolutely no idea who he is. 

So in the end, I think having a more clear understanding of the going-ons that set everything into motion would be almost doing a disservice to the fans who have spent their time piecing things together and it’s also not really necessary in the first place. It’d be nice, and I’m sure I would have gone even more insane with more to analyze, but with the way this show has always portrayed Caleb and Evelyn, them fading into obscurity in the final episode just seems... fitting. 

2) Philip Doesn’t Really Deserve Closure

It’s a simple fact: Philip Wittebane is kind of a fucked-up guy. 

Besides a flashback scene, another idea for a potential Caleb and Evelyn appearance that I saw tossed around most was this: it’s the end, Philip’s about to be defeated, and in the interim, he sees his brother one last time. 

Either he’s given forgiveness or not, Caleb being present at his lowest moment would undoubtedly mean something to Philip; over the centuries he’s spent a significant amount of time trying to remake his brother -- to make him better -- and no matter how you feel about him, Philip is a tortured soul. Perhaps Caleb could help him accept his inevitable death, perhaps he could have one last chance for Philip to have a moment of genuine vulnerability. 

He’d die with the ghost of his brother and the ghost of his brother’s wife looking over him, and he’d die content... maybe. 

Or you can go the other route: 

On the other hand, maybe Philip goes to his death kicking and screaming the whole way, with Caleb and Evelyn staring him down as he’s ultimately annihilated for good. The tale of two brothers is over, and while Caleb is the one who perished first, centuries ago now, it’s Philip who is undoubtedly the one who loses in the end. 

The last thing Philip sees is his brother’s hateful, tired face, and he dies with that image. 

Of course, that’s the one that sounds better to me; Philip is not a villain you could ever redeem (a cruel upbringing will not excuse everything) and to even make an attempt at it would feel cheap and be completely unaligned with ToH’s core values, which actively (and correctly) condemn people like him. 

The problem with both of these ideas, different as they are, is that both of them give Philip a sense of closure that he simply does not deserve to have been rewarded with. Either way, he knows for sure how his brother would feel about him -- or, at the very least, how he believes his brother should feel about him -- and it’s just that, the knowing, that rubs me the wrong way. 

In the end, the last time Philip sees his brother is in this scene in For the Future, and it’s safe to say that there’s no actual closure or anything close to it here. Whether or not you believe this is actually Caleb or just Philip hallucinating him (personally I subscribe to the latter), it doesn’t really matter because the idea stays the same. 

Philip spends this scene snarling curses at his unyielding brother -- who seems to be, notably, his younger self, given his hair length -- while also actively melting away in front of his eyes. Philip is the one who’s alive, Philip is the one who (he believes) is on the right side of history, and yet Philip is also the one on his knees, his entire body disintegrating slowly due to his own choices. 

As the episode continues, it’s shown that Philip is seeing Caleb and the other Grimwalkers that he’s likely killed as well, and they’re clearly more of a taunt to his already-collapsing mental state than anything else. Again I reassert my opinion that they’re not actually there, that they’re simply Philip hallucinating in one of his weakest moments yet, and because of that, there is no answer given. 

They stare; he tells them to “Shut up” and they don’t react in the slightest. They watch and they stare and they dare him to care about them in any way and the entire scene is just... a precipice. Eventually they disappear for good, and Philip moves on without even trying to process this phenomenon. 

Basically what I'm saying is that Caleb appearing in Philip’s last moments would give him too much credit. And that actually leads us right into the final point I want to make, which is this: 

3) Caleb Wasn’t Actually That Important To Philip 

In the long run, at the very least. 

Now hear me out. When I say ‘important’, I don’t mean that what happened with Caleb didn’t have long-lasting effects on Philip, because that’s simply not true; otherwise, my entire last point would be meaningless. Obviously, it’s Caleb (and to a lesser extent, Evelyn) who can be credited with initially setting Philip down this path; Caleb was probably the most stable thing in Philip’s early life, and losing him in a way that felt like abandonment -- and then killing him -- is undoubtedly something that would stick with you for a lifetime, 400 years or not. 

But Caleb’s death is also largely an excuse. 

Much in the same way that “saving humanity” is an excuse for Philip to commit the atrocities he does, Caleb’s betrayal pushing him towards that path and his subsequent attempts at bringing him back are also an excuse. 

Here’s the thing: if Philip was genuinely passionate about remaking his brother -- but better -- then he’d care about the Grimwalkers more than he does. If Philip actually considered every Grimwalker a potential Caleb that he could just fix, then he would not have been able to dispose of them so coldly. There’s dozens of their corpses piled under the Skull, yet he only even commits to memory a rare few. Even Hunter, the closest to Caleb a Grimwalker’s ever gotten, was given a Sigil! A Sigil, which tells me that no matter what, no matter how perfect Hunter may have turned out, Philip was never going to let him survive the Day of Unity. 

True, there’s definitely a part of Philip that hates the Grimwalkers because they can’t be Caleb, at least not in the way he thinks he needs (which is impossible, but I digress) there’s also a part that I think is just... carrying on because this is what he’s done for the past few centuries. It’d feel like giving up on himself to give up on the prospect of having Caleb beside him again, but there’s no passion anymore. 

In the end, I think Papa Titan said it best:

“...That man doesn’t care about anything but his need to be the hero in his own delusion.” 

That’s exactly it. Philip believes himself as the hero of the story, as someone who’s been suffering for centuries but will one day finally get the ending that he deserves. He goes through all of this not because he wants to go home and not because he wishes he could return to the life he and his brother once had, but because he so desperately wants to believe in the delusion that he is a person doing all the things he does for good. 

You don’t live for over 400 years working towards a singular moment without at least having the thought that maybe what you’re doing is incorrect. But Philip has never let those supposed doubts stop him, and by the time the series is ending, nothing matters except his goal -- to see the destruction of every last witch and demon on the Boiling Isles.  

Which is why, in this final scene of his, there’s not a single mention of his brother. His brother, who he’s spent the last 400 years trying to save; his brother, who, by learning to be better, essentially kickstarted Philip’s entire goal, but it became so twisted so quickly as Philip subconsciously decided that he was the only one who could ever fix things. 

To put it simply: Philip’s only ever been concerned with himself. His idea of morality, his vision of the Boiling Isles, his opinions on the witches that live there. Nothing else matters; Caleb is a crutch to fall back on and so is the idea that Philip’s saving anyone, it’s all just more vindication to feed into his hero complex, because he’s the only one that really matters. He’s human and Luz is human and so they’re redeemable, but he stopped seeing Caleb as human the moment he saw him with Evelyn. 

In the end, I feel as if it’s almost safe to say that Caleb and Evelyn as constructs are more important to the all-encompassing plot than they are to Philip specifically; they set him on his path, sure, but his descent into madness almost feels inevitable, death of his brother or not. He blames his own misfortune on them, and the fact that they're never quite seen makes Philip’s villainous qualities that much more emphasized, I think. 

Overall, I loved Watching and Dreaming and I loved ToH and I think the characters of Caleb and Evelyn are some of the most haunting I’ve ever encountered, literally and metaphorically. 

Their story is largely up in the air, but it still gets told, you just have to look for it. That's their charm, that’s why they’re interesting to me, and that’s why I am content with getting the amount we got of them. 

[artsyannierose]

Nene’s Dead Corpse and her ghost bf

randomly made a crap ton more sense to me

why?

fricking school (screw school I hate you (no not rly I’m just stressed))

Anyway I’m a biomed class where unit 1 is studying medical investigations forensic science style

and one of the things is like, what happens to a person after the body has been dead for a while (post mortem or sum, see im learning :D)

Things like algor mortis, livor mortis, I’ve heard of. In fact I’ve even studied the clouding of the corneas before, but it never got to me till today

maybe it’s cause I cannot for the life of me study forensics without my wild imagination giving me nightmares or just panicking when I’m alone but aNyWays

I tend to imagine characters associated with death in these scenarios so I don’t lose it in class💀

*cough* Nene *cough cough*

So as I was taking notes on the slideshow, some of the images of clouded corneas reminded me strangely of something familiar, but at that point I couldn’t tell. There’s something haunting about the eyes (or maybe it’s just my over-analytical brain loving small details like this) they’re GORGEOUS

LIKE

IDK THEYRE PRETTY

Maybe it’s ‘cause the true color of the iris is completely visible in all its glory, without the pupil obscuring it

(something like this?? A little vivid tho lol)

but like

there’s no

life

no reflection, no emotion…nothing (which is so hauntingly beautiful leave me alone I’m a sucker for this now)

it’s literally just an eye with nothing but color

and then it hit me…it’s exactly the look Nene had when Mirai fast-forwarded her time

you can see in the image it’s just her plain magenta eyes with a fuzzy de-saturated blob in the center…aka clouded corneas

And that honestly made me realize that in this scene she’s not—she’s not even unconscious

No she’s literally, physiologically dead

THAT IS A CORPSE HE IS HOLDING

she is literally a dead body this hits me so hard😭😭

and I can imagine algor mortis kicked in by then, her body was probably cold to the touch

so imagine how he felt, and I’m aware people have analyzed his emotions but just think about it

he’s always seen her so full of life and hope, and now all he has left is an empty shell of her, cold and dead with no life left inside

…just like him

the more I think about it Hanako is just an animated corpse

he has no reflection in his eyes most of the time because he is ✨dead✨

I mean Mei, Mitsuba, and Hanako don’t have a little white reflection dot like Nene and Kou

Or maybe I’m overthinking it and Nene’s eyes are just super reflective

even for someone who presumably took his own life, he probably never saw tsukasa’s body start postmortem and actually feel dead bc it looked extremely bloody ngl (I’m guessing he killed himself right after 💔)

and now he’s holding someone he cares about like this for the first time and I’ll bet that scarred him

and he figured out that never, never ever did he ever want to see his sweet assistant like this again, lifeless in his arms

and so after that, cue Hanako in his villain era who basically became a yandere the entire picture perfect lmao

and he was unbelievably adamant about it too

I mean honestly if I held anybody I knew lifeless like that I’d be scarred for life and crying for days

seeing the light drained from someone’s eyes is so interestingly sad to me

Look at the difference:

Happy

vs Sad/Determined

vs Depressed (ig??)

vs Dead

She still has so much emotion in her eyes

and then d e a d

literally looks like a porcelain doll

wait she looks so pale in the last image compared to the others now that I think about it

I love aidairo’s eye for detail it’s so fun to figure out

Well anyways thanks for coming to my Ted Talk essay atp-

IT’S PAST 1 AM AND I SHOULD BE STUDYING FOR SAID BIOMED CLASS AND HERE I AN GOING ON A TANGENT ABOUT A FICTIONAL CHARACTER’S EYES

send help

anyways excuse me while I grab a box of strawberries to munch on and cry my eyes out all over my homework before I sleep-

[amerricanartwork]

I want to say I love reading your headcanons, especially your Iterator ones. Do you have a unique headcanons for Pebbles, since you haven't talked about him much?

Ohhh, I'm so glad to hear that!! I love creating and typing down these headcanons, but sometimes I worry whether anyone actually wants to read these long posts about it, so it's always so nice to hear people appreciate them!

I would love to talk more about Five Pebbles! I actually have quite a few headcanons for him specifically since I tend to ponder him a lot. In fact, of all the canon characters, when it comes to headcanons that aren't purely working out their general personality and backstory I think I currently have more outside headcanons for him than anyone else.

But nonetheless, assuming you mean "unique" as "interesting and relatively uncommon/unheard of in the fandom", here's one of mine that might seem odd or specific, but I really like it!

-.-.-.-.-.-.-.-.-

I’ve headcanoned for at least a few months now that Five Pebbles is very much an auditory learner. He’s more receptive to spoken and auditory information than just written text, and as such he tends to talk a lot, which is how he best formulates his ideas. 

Now, when I call him an auditory learner (or maybe just an audio-oriented person in general would be a better way to describe it), I also mean he generally cares a lot about how things “sound” to him. Five Pebbles pays close attention to how certain sounds “feel” in a sense, not just with regular abstract sounds, but spoken words, phrases, and ideas too. He likes it when sentences flow smoothly, convey the proper emotion or idea, and sound intellectual and well-thought-out, and dislikes when phrases sound clunky, confusing, or otherwise unprofessional and improper. In situations where he wants to appear smart and sophisticated, especially in a competitive sense, he loves flexing his extremely large vocabulary by throwing in long and obscure words and technical jargon too. To reference my last headcanon ask, this trait is another quality making him dislike NSH, who doesn’t care as much about grammar or syntax and thus tends to speak in casual ways Pebbles finds “improper”.

Usually, when he has a decent amount of uninterrupted personal time, Pebbles will spend several hours on end just talking to himself in his chamber to work out his ideas and plan any essays or speeches he’s preparing to give. He loves making sure that every sentence sounds pleasing, proper, and is grammatically correct, yet still explains his ideas thoroughly and accurately. However, despite being an introvert who values his alone time, he sometimes talks about his ideas to other iterators, especially when he wants feedback and criticism. In fact, having long discussions and debates, particularly about scientific, artistic, and philosophical matters, is perhaps one of the only things he actively enjoys doing with other people.

In this latter regard, this habit was actually one of the only reasons he occasionally, yet still actively sought out the presence of Unparalleled Innocence, someone whom I headcanon he never had much of a relationship at all with, positive or negative (at least pre-AU, that is). But nonetheless, Innocence is a very good listener and never declined an invitation to talk with him, though more often than not it turned more into him just rambling about something and her quietly listening and encouraging him to continue on (which she did for… other reasons besides her fascination with the subjects of his speeches, but I will get to those some other day…)

Another facet to this headcanon is that Pebbles has a strong appreciation for music. He finds it helps him calm down and work through his emotions very well, alongside one other habit I’ll address in a more official headcanon post. Thus, he’s got various music pearls with his favorite tunes that he’ll listen to while working or when he needs to relax. The purple one in Rivulet’s campaign is only one of many, though that was also the only one he could obtain at the time his chamber was broken into by the rot. 

His love of music has always been another little “worldly pleasure” that he took for granted, not realizing just how much he enjoyed it until after mass-ascension. And even then, he stuffed it deep inside him and kept trying to downplay its value to him all the way until his rot condition was almost at its climax. This emotional turmoil I imagine him having is a particular element of his character arc I find very interesting even in regular Downpour canon, but once again I will elaborate on it more later…

-.-.-.-.-.-.-.-.-

Anyway, there's the headcanon! Seeing as I'm planning to explain major character info in official headcanon posts, I tried to choose one that wasn't too essential for narrative comprehension, but is still unique and hopefully decently entertaining in-and-of itself. I also tried to use this to test a new format of doing more sketches for these headcanon posts, so it's not as much pure text.

Anyway, I hope you like it! And if you (or anyone else reading this, for that matter) ever want more headcanons, or can add to this one, don't be afraid to send another ask!